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Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts
Saturday, 2 February 2008
Louis Theroux and the Survivalists
Friday, 21 December 2007
Wednesday, 29 August 2007
The rise of the idiots
Possibly the best half hour of comedy I've ever seen, episode 1 of Nathan Barley unrelentingly bashes the Big Brother Generation and also those who react against it. I can't help but feel challenged by this damning indictment of British popular and "alternative" culture. I think it's basically saying that whether we desire to embrace or reject this shocking dumbing down of society, we are all, in the end, idiots.
Tuesday, 26 June 2007
Peep Show
I've been awfully blogshy over the last couple of weeks, a state of affairs which isn't good, especially considering I'm responsible for instigating this chronicle. Jake has been waiting for me to post something because, after all, this is supposed to be The Bettany Blog not The Big Brother Blog (although now that I mention it a post condemning the evils of that wretched show might provide some outlet for me to vent my frustration at the mediocrity of popular television, but I digress) and recently he's been the only contributor.
Jake has entered into the spirit of this bloggish endeavour with more enthusiasm than the rest of us put together, which isn't so suprising really since over the last few years he has usurped me from the position I held undisputed during the early noughties as The Bettany Media Man, becoming very media savvy indeed... I still find it hard to believe that his multi-tasking skills are so profoundly tuned that he can work and watch TV simultaneously, but as business is booming I can't really criticise anymore!
So, what's he been watching recently while he's been working? After all the high quality TV (and admittedly not so high quality - Jericho was a bit of a stinker, but still I watched!) he's introduced to the family I'm pleased to say I've finally been able to give something back. I had to go all the way to Australia to discover Peep Show, which is a bit bizarre since it is a thoroughly homegrown British comedy. However, Jake and I both agree that Peep Show is very certainly the best sitcom since Extras... the fact that technically it came before Extras is, frankly, a trifling irrelevance.
This clip is actually the very first scene of the very first episode, which was screened on Channel 4 back in September 2003. Series 5 has just been commissioned and I'm downloading Series 4 as we speak! Although I'm tempted to synopsise the show for you by way of an introduction to it, I figure it's probably best you work it out for yourself.
Jake has entered into the spirit of this bloggish endeavour with more enthusiasm than the rest of us put together, which isn't so suprising really since over the last few years he has usurped me from the position I held undisputed during the early noughties as The Bettany Media Man, becoming very media savvy indeed... I still find it hard to believe that his multi-tasking skills are so profoundly tuned that he can work and watch TV simultaneously, but as business is booming I can't really criticise anymore!
So, what's he been watching recently while he's been working? After all the high quality TV (and admittedly not so high quality - Jericho was a bit of a stinker, but still I watched!) he's introduced to the family I'm pleased to say I've finally been able to give something back. I had to go all the way to Australia to discover Peep Show, which is a bit bizarre since it is a thoroughly homegrown British comedy. However, Jake and I both agree that Peep Show is very certainly the best sitcom since Extras... the fact that technically it came before Extras is, frankly, a trifling irrelevance.
This clip is actually the very first scene of the very first episode, which was screened on Channel 4 back in September 2003. Series 5 has just been commissioned and I'm downloading Series 4 as we speak! Although I'm tempted to synopsise the show for you by way of an introduction to it, I figure it's probably best you work it out for yourself.
Tuesday, 12 June 2007
TV Families 1: The Sopranos
So I've been thinking about The Sopranos quite a lot recently. Since the final series started building up to a conclusion last year, and ended finally in the US on Sunday, I've been tempted more than once to introduce mum and dad to what is widely considered to be the best TV drama series ever made. The finale was big news, even Radio 4 covered it.So what's been stopping me giving Dad a copy of Season One? I know he's a fan of the Godfather films, so it can't be the mob connection; I also know he quite likes 24, so it not the violence, which actually in the case of the Sopranos, is relatively mild, if no less shocking.
My first thought was that there is casual profanity and recurring themes of infidelity and drug use. And in this sense, The Sopranos is distinctly worldly in it's depiction of modern life. Even so, that doesn't explain the whole of my reluctance. There's something more which comes in the larger than life shape of the main protagonist, Tony Soprano.
If you're not familiar with the basic premise, Tony is the erstwhile boss of a New Jersey crime family whose trials and tribulation at home and at work we follow over the show's 86 episodes. In the first ever episode, Tony suffers a panic attack at a family BBQ and is referred to a therapist, Jennifer Malfi, who he continues to see erratically through the show's 6 seasons. Through this interaction and through the day to day problems Tony encounters with both of his 'families', Tony becomes a character who is at once horrifying and sympathetic.
This is nearer the nub of it. Tony Soprano exists in a terrifying moral grey area. Without a doubt, he's a monster: Selfish and self-deluded not to mention a multiple killer and career criminal. And yet, across the period of the show, we also see him as a family man, a leader, a victim and a product of his own background. We also see an enormous amount of humour in the programme. It's impossible not to laugh for instance watching these dangerous men doing Michael Corleone impressions - or dressing up as Santa Clause for the local children.
It's often been said that the creator of the show, David Chase, declines to make a moral judgement about Tony, but I think that's quite wrong. As you see him and the other characters developing, you begin to realise that there seems to be very little hope of redemption for them. In the overall scheme of things for the Sopranos, right and wrong is clearly demarkated, it's just that seeing them on such a day-to-day level, makes their moral universe so much more complicated.
This, I think, is what makes the program so compelling. It's obviously a fantasy, but it does make a serious study of crime and contemporary ethics. That's quite interesting itself but the irony and the thing that makes it subversive is that quite probably it's also had an impact on contemporary ethics.
As Ben Okri writes:
"Stories are subversive because they always come from the other side, and we can never inhabit all sides at once. If we are here, story speaks for there, and vice versa. Their democracy is frightening. their ultimate non-allegiance is sobering... Stories are subversive because they always remind us of our fallibility. Happy in their serene and constantly changing place, they regard us always with a subtle smile. There are ways in which stories create themselves, bring themselves into being for their own inscrutable reasons..."
As it is, I saw the final episode last night and I won't spoil it by saying that the ending isn't simple.
Here's a clip from the end of Season 3. Tony's Uncle Junior is singing at the Funeral of a family friend. No spoilers here.
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